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Filmmaker IQ
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Добавлен 22 ноя 2008
Filmmaker IQ (which also goes by the aliases Who?, FilmmakerIQ.com and FIQ to evade debt collectors) is worshiped by no less than five monotheistic religions on Earth despite their petulant childish behavior, persistent meddling in the space-time continuum, and clear bipolar disorder. FIQ is the largest black hole of film knowledge in the universe. With over 3.4 billion courses on a subjects such as, Ways to successfully acquire both arm rests at a movie theater, Why do all the evil people in Star Wars have a British accent? and Martin Scorsese’s Eyebrows. FIQ’s video lectures are hailed educators, non-educators as well as people who are against the concept of education on moral grounds.
Hollyland Lark Max Wireless Microphone Review
Hollyland sent over their Lark Max for me to review! It's a great little two transmitter wireless package that I've found a whole lot of different uses for.
If you're in the market for a wireless microphone use my affiliate link below to pick up your own Hollyland Lark Max:
store.hollyland.com/products/lark-max?variant=44564759183619&Aerial%20Guide&RUclips&Lark%20Max
Here's my patreon if you'd like to support the channel!
patreon.com/filmmakeriq
If you're in the market for a wireless microphone use my affiliate link below to pick up your own Hollyland Lark Max:
store.hollyland.com/products/lark-max?variant=44564759183619&Aerial%20Guide&RUclips&Lark%20Max
Here's my patreon if you'd like to support the channel!
patreon.com/filmmakeriq
Просмотров: 1 731
Видео
How to Direct Multicam as a Solo Filmmaker
Просмотров 2,3 тыс.4 месяца назад
Let's dive into how to approach multicamera event shoots as a solo shooter or as a small team. If you want to build up your mutlicamera rig, check out my earlier video ruclips.net/video/7FXEUDBS9R0/видео.htmlsi=vpyZgljBMPr73r6d Check out Angekis Saber 4K Cameras here: www.angekis.com/product_detail/Saber—4K.html
Flavors of Time (48 Hour Film Project)
Просмотров 2,1 тыс.4 месяца назад
Simon Smeets, who operates a rocket-powered time-traveling food truck, forms an unexpected alliance with his rival, Sophie Flowers, to engage in a culinary battle against Leo, a spice-cheating chef who deceives his customers with addictive flavors. This short film was made for San Diego 48 Hour AI Film Project which adds the requirement that 50% of the film must be generated via AI.
What Frame Rate is Needed to Simulate Reality?
Просмотров 57 тыс.11 месяцев назад
What Frame Rate is Needed to Simulate Reality?
What is the Frame Rate of the Human Eye?
Просмотров 67 тыс.Год назад
What is the Frame Rate of the Human Eye?
FIQ Critique - Physical Therapy Industrial
Просмотров 2,5 тыс.Год назад
FIQ Critique - Physical Therapy Industrial
A 24fps Filmmaker Reacts to Avatar 2 in "HFR"
Просмотров 77 тыс.Год назад
A 24fps Filmmaker Reacts to Avatar 2 in "HFR"
The History of 20th Century Fox | THE STUDIOS
Просмотров 45 тыс.2 года назад
The History of 20th Century Fox | THE STUDIOS
Why You Don't Need to Record in 32 Bit Float....
Просмотров 26 тыс.2 года назад
Why You Don't Need to Record in 32 Bit Float....
What is the Optimal Sampling Rate for Audio? (It's All About the Aliasing)
Просмотров 37 тыс.2 года назад
What is the Optimal Sampling Rate for Audio? (It's All About the Aliasing)
The Surprising Origins of Digital Audio Sampling Rates
Просмотров 95 тыс.2 года назад
The Surprising Origins of Digital Audio Sampling Rates
The Basics of Multi-Cam Live Production
Просмотров 100 тыс.3 года назад
The Basics of Multi-Cam Live Production
Why Yellow Is So Common for TV Graphics
Просмотров 38 тыс.3 года назад
Why Yellow Is So Common for TV Graphics
Lighting Tip: Shoot the Fill Side (Just One Thing)
Просмотров 12 тыс.3 года назад
Lighting Tip: Shoot the Fill Side (Just One Thing)
Why are Anamorphic Bokeh Oval? (it's not the aperture)
Просмотров 19 тыс.3 года назад
Why are Anamorphic Bokeh Oval? (it's not the aperture)
The Fundamentals of Tilt-Shift Lenses
Просмотров 49 тыс.3 года назад
The Fundamentals of Tilt-Shift Lenses
Fixing Perspective Issues with Corner Pin
Просмотров 9 тыс.3 года назад
Fixing Perspective Issues with Corner Pin
The Marching Band Trick to Steadier Handheld Moving Shots
Просмотров 19 тыс.3 года назад
The Marching Band Trick to Steadier Handheld Moving Shots
Breaking down THE BATMAN Trailer (Editing Analysis)
Просмотров 14 тыс.3 года назад
Breaking down THE BATMAN Trailer (Editing Analysis)
Addendum! The One Frame Trick (Now Rectified for YouTube)
Просмотров 36 тыс.3 года назад
Addendum! The One Frame Trick (Now Rectified for RUclips)
Editing to the Beat - the One Frame Trick
Просмотров 217 тыс.3 года назад
Editing to the Beat - the One Frame Trick
Pulling a Green Key with Something Green in the Shot (AE Tutorial)
Просмотров 14 тыс.3 года назад
Pulling a Green Key with Something Green in the Shot (AE Tutorial)
William Fox - The Forgotten Hollywood Mogul | THE STUDIOS
Просмотров 44 тыс.3 года назад
William Fox - The Forgotten Hollywood Mogul | THE STUDIOS
The Forgotten War for Color Television
Просмотров 222 тыс.4 года назад
The Forgotten War for Color Television
I... uh... think I loved the Cats Movie
Просмотров 52 тыс.4 года назад
I... uh... think I loved the Cats Movie
Debunking "High Frame Rate in Cinema" Myths
Просмотров 50 тыс.4 года назад
Debunking "High Frame Rate in Cinema" Myths
Why Distance Doesn't Affect Exposure
Просмотров 21 тыс.4 года назад
Why Distance Doesn't Affect Exposure
A 24fps Filmmaker Reacts to Gemini Man in 120fps
Просмотров 478 тыс.4 года назад
A 24fps Filmmaker Reacts to Gemini Man in 120fps
6 Reasons Why We Should Ditch the Exposure Triangle
Просмотров 36 тыс.4 года назад
6 Reasons Why We Should Ditch the Exposure Triangle
Lego. It's Lego. No "s"
Another thing about 60 fps is this: What benefit would 60 fps be for films besides subjectively thinking it looks better? Like compare it to sound, color and widescreen. When all of these advancements came to film, even the most casual moviegoers back in the day could've seen how it changed film. It wasn't a just a shallow reason that it simply is better, it changed the game to the point that a some movies today are made without sound, color or widescreen to capture a certain mood or theme. But what would 60 fps be a gamechanger for? How could an average moviegoer see the benefit of 60 fps for films that isn't just that it looks smoother? If we want high frame rate to actually be standard, we need movies to show the benefits of it and so far, none has, every HFR movie has at best been given a lukewarm reception.
Yep, and what we find is HFR has subtractive effect on the film watching experience. And it really isn't a matter of "not being used to it"
While Julian Fellow's Downton is a masterpiece of that traditional-type period genre, Shonda Rymes' Bridgerton turns all that on its head with very modern clever writing, casting, music (anachronistic use of modern pop tunes played by chamber groups) in addition to all the great production value, etc.
Conglomerates are never a good idea. They only work if you have a genius as CEO and then they prove irreplaceable, and you get a sharp "J Curve."
Marshall & Noonan had a profitable film in 1959 it was about the only film 20th Century Fox made at the time and the only one that made money. They made Swinging along in 1962, that was less successful when it needed to be more successful. Thus, we got Hollywood Squares . . . .
Beneath the 12 Mile Reef, so forgettable they forgot to renew the copyright and it entered the public domain . . . .
Fantastic enlightening. Only one thing. The statement - Don't worry about the full frame equivalence? The issue you haven't taken into consideration in making that statement - Relates to achieving the same sort of effect in a shot e.g. bokeh and field of view on a crop sensor as is achieved on 35mm / full frame. That's one of the reasons to understand the why and how - is it possible? While achieving this in a package that is more light weight and compact than full frame kit and more frugally. So that's physically not achievable given your video as a whole. So it's then a question of how close, how good enough. Speed boosters and 0.95 crop lenses and not quite the field of view but closer in micro 4/3rds. One clarification - so am I correct in taking it the reason for depth of field, bokeh etc. In the first place relates to the curvature of the lens so there are spots visible instead of points of light in those areas, hence why reducing aperture size blocks those out of focus rays from hitting the sensor cleaning up the light that is allowed through and therefore increasing what is acceptably sharp and therefore depth of field.
I'm going to reinstate the sentiment. Don't worry about that. I can tell by your writing that you are not really approaching this with experience. Format sizes have real hard physical differences. What I'm showing you is how the math works. Learn to shoot with what you have.
I liked their other video "Water is Wet"
"Vote early, vote often" is more of a Chicago thing . . . .
That's right, New York has never had political corruption... ;)
@@FilmmakerIQ Less "never had corruption" and more "had more different and direct methods of corruption."
library.ucsd.edu/speccoll/dswenttowar/objects/bb9045267k.html#printedModal
Since you asked several times. Swimsuits are not invented yet and people don't swim with their armors on. It is unrealistic to swim with clothes on. Soldiers need to swim cross a stream to get to the other side. (Book only) the weather is hot. On certain hours of the day, there is miasma, that rise up and kill anybody in the stream. (Book only) All the other water sources nearby are poisoned. The soldiers are hot, thirsty and die if they dare to drink. The production don't have time to film every details of that little journey (which lasted a page or two). They just have to show how serious the situation was for the soldiers. So they a shot scene of soldiers swimming and died of poison. That scene only last less than a minute in a show that has 80+ episode. Not the most important scene, but Romance of The Three Kingdoms (1994) like to show the common soldiers dying realistically, unlike just most movies and tv shows, that love showing only their commanders making decisions, or being hero stuff.
I didn't ask anything, just marveled at comment about the hundreds of naked men, pubic hair and all, crossing a stream while being slowly poisoned to death.
It’s good to relearn and refresh
You used to be huge, what happened? Was is the RUclips algorithm?
RUclips algorhythm doesn't really promote live streaming,and if your nonlive content is infrequent you are unlikely to show up on even your subscribers page.
Diet and exercise
From RUclips channel Moviewise, I recommend his videos on Casablanca and The Searchers.
Disney+ butchered the speed and frame rate of The Muppets Show. It was shot on tape, Disney removed frames to make it 24fps, and even changed its speed. With no 180 shutter blur, it looks choppy.
As a film lover, 24fps will be my love until i die, because the way i divided between reality and fantasy is like a traditional human being (BTW maybe the last generation). In the other hand for generations who grew up with the Iphone, the "Reality" what we used to call was conducted in the black mirror. not mention the future VR. Yes the motion that has been "blured" is the reality.
Nice dub at 4:34. I've had to do one or two (or six or seven) of these myself on my own show, which is always a fun little challenge... And you did it perfectly! I would not have caught it if I wasn't looking at your face when you said it. Anyway, terrific video!
Hold on... There are still Sizzler restaurants around? God, I haven't seen one in, like, 20 years...
I feel and wished 20th Century Fox should’ve merged with Verizon instead of Disney in the first place,so that way the mouse would’ve never won again and Fox would still be alive as a major movie company. It’s the lesser of two evils.
Hello Brother In Iran, they share your content freely in the national media Have you been given subscription rights? If they don't share you, you can't do anything :)
No, but there's nothing I can do about it
"fuck it, i'm going to church" - John Hess really enjoy all your videos john 👍🏼 great work.
i think i would be represented if steve jobs was responsable for this engenigers
24 fps in my old camera for running person we see 1 frame that is solid and almost all the others are blur and deformed..So I need to learn what else is doing this. Because I disnt see that low quality in cinema ever!
The most importantteacher of my world now
Hope you keep going to Church! Jesus Christ Saves!
this series of videos , are a contribution to knowledge , unbiased , well documented , with an excellent pace of flow , with filmmaker IQ giving an example for inspiration to the narrator's work
Dude I would love to help you move and build that studio. I'm doing something similar at my house here in Albuquerque. I have a ton of crap in a storage unit that I hope to vacate in a few months and move it into my home storage/studio. It won't be as big a 'raise' as yours but it will be nice to have one less bill. You will HAVE to make videos of your progress!!!
Very cool and instructive video, thanks for sharing !
Best of luck in your upcoming endeavors, John! I've learned SO MUCH from your channel over the years and I would very much like to see more of it, especially "history of" and technical deep dives.
My favorite, "7 Brides for 7 Brothers". Not a remake of a Broadway play but a true Hollywood musical.
Very interesting information. Thank you for taking the time to make this video.
Civil War and Challengers, both released by A24, are examples of the mid-budget cinema that Hollywood's biggest studios have abandoned due to greed, always wanting the big tentpole blockbusters. Both Civil War and Challengers were successful at the box office.
Studio executives are so stupid and don't understand anything about art and what actually makes people emotionally connected. Art is just a commoditty to those executives, and they don't even understand people's desires to connect with each other through art they love, through what they have in common, it's a basic human need. Sooner or later, that pure greed is gonna be the end of the big traditional Hollywood studios unless they change course. Quotes from Sony and Paramount's presidents show how deeply out of touch and deluded those executives are. I bet they don't even understand what is like being touched by a fictional story and characters. They are clueless. The search for pure short-term profit is gonna kill these studios in the long term.
AJ PANZA
Well I am in the 4th camp: What gear actually sounds like. My camp can't giva a 💩about other camps. When listening to my SMSL M7 (my first ever dedicated DAC ) I noticed a HUGE difference in quality between streaming and DSD 512 (SMSL M7 is not a DSD dac so signal it is converted to PCM, so I was actually listening to a PCM version of that DSD file), so I was convinced resolution is king. As I spend more and more money, now on Chord Qtest with 1000Euro linear PSU, I can say that all resolution does is keeping poor devices going completely off the rails. At this level the difference in mastering is bigger then the difference in format and resolution, making it basically a non factor. So bottom line is if hy rez files sound better, you need a better DAC. If it doesn't just play whatever you like and don't bother with it. Funny part is that the 3rd group, the "engineers" who are so well versed on "knowing the theory" can't really explain why hi rez file sound better on cheap DAC's, so excuse me for not taking these clowns seriously. The only engineers I want to hear, are those who actually build hi-end device because they proved to have the knowledge about how to do it.
Not sure if you're aware, but the M7 uses AK4452VN D/A converter chips that have a sigma-delta interpolation stage. That means the PCM input is converted to DSD internally before the analog pre-amp stage.
@@nicksterj I was not aware that AK chips, specially lower end ones will upscale to DSD. However, the same exact thing, I described was consistent over many dacs lile Zen Dac1, Neo iDSD 1 and Hip-DAC that uses Burr-Brown True Native, ProJect Pre S2 Digital with 2x ESS9038Q2M, and Chord Qtest with their own FPGA 50k taps. Are all the DACs upscaling to DSD? hard to believe, yet all the convertors had that difference, and the difference being harder and harder to spot as you go up. With Qtest you need to compare the same exact mastering to spot it, due the fact that difference in resolution being so small that difference in mastering makes more of an impact.
@@kurt120032002 Almost all of them use sigma-delta, which is technically not DSD because DSD is a format for transmitting the PDM data captured by sigma-delta converters before decimation. Just wanted to let you know that there is conversion between them internally regardless of the input format.
@@nicksterj I was under the impression that 1 bit and PCM require different architecture and you ether do a conversion or have 2 DAC's in the box, so I was expected a conversion to take place, but I was expected DSD to be converted to PCM, just like in r2r/multibit, not vice-versa.
Anyway, about movie theatres. The main reason why people are not going there IMO are just convenient and unwillingness to bet 20$ on a forgettable movie. The best movie experiences I have recently is on the planes. Air travel are the most uncomfortable way to travel I know. Jetlagged little leg room, stressful. No wifi, 10KM over land. People don't talk much because they are stressed and sleepy. The headphones are great. I can paused whenever I want or I need to, to go to the toilet, or eat plane food. The movies are comfy. Since the selecttion are far smaller than streaming services, don't have the browse-endlessly syndrome. The movies, are curated, ranging from great to OK. Most movies in the world are just OK. Most movies of a genre shared the same features, like almost every human. You don't expect too much difference from each Rom-com, Horror, to each other. Your know there is going to be Romance and Jokes in a Rom-com. Death and Mystery in a horror. Competent action men in a Kungfu film,... etc. I don't watch Furiosa, or Mad Max, but I think I can get the gist. Why would I spent 20$ to drive there, listening to ads before the movie start, try to be punctual, cannot pause when I want, no subtitle, overpriced food for movies which I felt that already watch before? Last time I went to a movie theatre, they told me to buy ticket via phones. That's not convenient to me. I also don't want to watch any cinematic universe to get an idea of what's going on. If I walk to a cinema, I might check it out. But all the cinemas need to be driven to, and I could not just bother. For most people, the appeal of the theaters, are not the movies, but the group activities of friends and families. Chickflicks like Barbies are for girl's night out or with their date. Marvel and Star Wars films are for groups of nerdy friends. Film festivals would be for cinephiles. Asian film industry bring in the money last year. Groups of friend watches movies in cinemas, individuals watches movies at home. That's what killing the movie theaters. I think people just grew up, experience the more convenient streaming platforms, fewer rituals to adhere to. When your friend or date don't feel the need to pay money to go to the theater, and instead hang out at home, they can experience great films of over 100 years of cinema, instead of gambling on whether the recent stuffs is actually good enough.
I missed the stream, but I thought you were thinking of moving out of California, sold the overpriced house in this market and moved to Tennesse. Was that no longer the plan?
I thought Puritanism was long gone. Americans still have this problem with nudity. How do you even have sex with your clothes on? Here in Europe, it is no problem.
Awesome. Better than anything on the radio today for sure. Thanks for sharing!
make the walls - inside and out - white. Not off-white. Not country-white. Just. White. Better for everything.
For your "shed". b very careful about ground , electricity and DATA. The she will have its own ground, which will be different from your house's ground. Any wire between the two will carry current because of ground differential, so you have to isolate any ethernet or DSL copper links (or put fibre link between the 2 buildings ta which point ground differential doesn't matter. In a thunderstorm, voltage differential between the 2 buildings grounds can generate current strong enough to fry your electronics. Your default electrician may not be aware of issues with data links on copper.
Make sure you take pictures of your old studio so you can recreate it in your new studio.
I think going to go with something new
That's a great idea, John.
Actually I prefer the colour of the raw WesLog in this one 😬
In your video, ar 04:12, you show two "digital" grey squares, one at 18% on left and one at 12% on right. How did you calculate the grey values in your software (Premiere of whatever video editing you use) ? I took a screen shot, pasted it into Photoshop, and your 18% square gave me 128,128,128 (which would be 50% brightness, while the 12% square gave me 107, 107, 107 which is 42% brightness. But switching to LAB, when I get L of 54 for the 18% , and the 12% gets L=45. Was expecting the L to match brightness of RGB values. In HSB mode, it matches the brightness of RGB (50% and 42%). So when in a digital world, is Middle Grey 50% brightness and your video is solely about what happens when a digital 50% is printed and then a light metre is pointed at it?
18% refers to the light reflecting off the surface, it is the subtractive (incidence metering) approach. Taking the RGB values is an additive approach (generating light). This is complicated with gamma curves that your screen is using to display colors. Consider that 50% RGB with a screen with a gamma of 2.4 gives you an output of 18.9% Now if you want to complicate things more... In digital we don't always use the full gamut... So it's commonly considered in video that middle gray is 42 IRE where that 12% gray card lines up perfectly
@@FilmmakerIQ Thanks. I was aware of the complications of the gamma curve where the computer takes your 50% brightness for grey and will convert it to whatever luminance it thinks should go on your type of display. (that is why I was surprised to see precise brightness on your first grey especially as RUclips may have also changed things). But is it corrent to state that if someone wants me to do a Middle Gray, I can tell photoshop to do 50% brightness and that will yield the 18% reflectivity when printed?
You can't make those direct statements - there's always going to be some confounding translation between screen profile and printer profiles - but yes, it would be in the neighborhood of 18% gray.
@@FilmmakerIQ Many thanks. I have learned a lot from watching your videos over last little while!
The biggest complaint I have about 24p is wide pan shots that move just fast enough to start looking stuttery. That takes me out of the experience ruining the immersion. Movies & TV do this all the time and I notice it every time.
Sometimes it's the screen that exacerbates this stutter during pans.
@@FilmmakerIQ does that have something to do with 60 Hz not being divisible by 24? Meaning, would a 120 Hz screen be better? This is the ONLY thing that bothers me about 24p.
No, it has to do with sample and hold. Ironically 120hz screens are worse because they have shorter periods where the frame changes from one to the next.
Thanks John for all the content you produce. I have been bingeing on your channel better than Netflix. With the HFR debate what frame rate do you shoot for super slo mo if the delivery rate is 120 (24x5=120 for 1/5 playback. 600 fps x 1/5 =120. I love shooting slo mo but playback at 120 seems infeasible. Anyway thanks again for your informative videos it has opened up my eyes. Cheers
Yes your math is correct and yes, 120fps playback with slowmo is infeasible. You don't need 120fps to make slowmo look smooth.
Brilliant explanations, still stunned by the magic of the history of the industry.
the talking between the two president was so funny
Would you get these over the mark m2???
Don't know what the mark is...
@@FilmmakerIQ I meant lark m2 it was a typo
The max is more professional work flow. If you're doing a more phone based workflow maybe you can save some money going with the lark.
@@FilmmakerIQ do you think it’ll do just fine for doing interviews at live music events far as the lark m2 goes
Depends on your workflow....
Yellow and magenta pushes were pretty common all the way to the 2000s. In the Full HD era though, it seems that teal and orange became the new "plague", affecting not only color grading choices in New films, but also imposing those choices in restorations of many classic films! It's not hard to find many people online in video forums complaining about how horrible modern color grading often is in Hollywood blockbusters, and that the teal push is one of the major problems, like what they also call the piss-yellow. There's a funny article from 2010 called "Teal and Orange - Hollywood, Please Stop the Madness", but the issue is still not gone, see what Cameron did to The Abyss in the new remaster, bathing it in teal (though that's the least of the problems in Cameron's remasters...)